lovesick
POEM - a lyric deriving from a cut-up text
Beneath Hounds' Cave
we test angelic days,
above these many peaks
summon the demon nights
Skin's command as it were I obey:
the urgent sex which scrambles
dark luxuriances of the head,
bayings a dog would yowl at moons
Apparatus of analysis:
words puff swirls of dust in rooms,
quotes chunk in the sweat of thighs
Research into this flesh,
which merely
these my desires all disturb:
bump-bump arteries, intrepid heart
In the harsh menagerie of my bed
fingers become new emotions
and muscles a catastrophe...
These infested havoc lips of yours
in all the lustrous hours offer
a nothing, a sweet void murder,
an accumulation among limbs
My eyes they were not jungled then?
I infuse into these sickened sockets
whole futures, a wildness shrivelled dry
Sinews stretch, twirl and tangle
the jump and form of me and you
in the closed room, in the close air,
in dust that settles among words
we speak in short exhalations,
whorled syllables on windowsills
Feel my almost pearly being
chewed.
Creeping teeth consume
what no thief could ever snatch,
crushed like a miser's flower,
and I in nothing limbs am beautiful
Our feet step on the insubstantial,
kick a way through colourless rainbows
stretched across the sky's null clouds.
no compassion now and no release
/ /
full compassion now and full release
Deriving from a cut-up of some intense texts from Elizabeth Smart’s 1945 book, her autofiction novel, or prose poem, or whatever you’d call something so intense, By Grand Central Station I Sat Down and Wept.
Thanks to Deer Girl for chats, though the resulting mess is entirely my own work and she can’t be blamed for any of that.
Still, here’s to poetic experimentation and such…





Let me know how you get on with the book - as you remember I suggested it as a corrective for a dispassionate voice, a model to follow to inject some emotion in things. That's precisely how I was using it here
I've been meaning to read that book for ages.
If that's a cutup mishmash then you did a fantastic job. I thought it was great as it was. Very powerful, and brings out that messiness and ecstatic wild desperation of sex (well, some types of sec, anyhow).
Went perfectly with that painting too.